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Spit, Shine and Glisten

 

A Fine Puppet Performance at CalArts...Spit, Shine and Glisten

During November, 2003, The Cotsen Center for Puppetry and the Arts at the California Institute of the Arts School of Theater presented a new work written and directed by Susan Simpson called Spit Shine and Glisten.


The primary character is none other than Los Angeles evangelist, Aimee Semple McPherson, who built Angelus Temple across from Echo Park Lake, not far from downtown Los Angeles. Here she presented illustrated sermons like her Christmas sacred opera "Bells of Bethlehem" - her musical nativity drama.

As a child, I always wanted to go and see her productions. I had an aunt who was said to have neglected her own family in order to be at the temple in Sister Aimee's presence. That Aimee was charismatic, a Hollywood personality, there was no doubt. She was the perfect incarnation of old time revival religion mixed with movie capitol glamour. Not only did she cut a dashing figure onstage, she was also fascinating on daily broadcast sermons on her own radio station.

When she went swimming near Venice, California on May 18, 1926 and vanished, the press went wild. Had she drowned? Where was the body? Thirty-two days later the body walked out of the desert in Arizona "after escaping kidnappers who had tortured and drugged her and held her for ransom in Mexico". The story was never proved nor disproved in a court of law. Adding to the mystery, there were no signs of physical mistreatment, the Mexican shack was never located and Aimee reappeared fully clothed rather than in her swim suit.

Such colorful material provided Susan Simpson with grist for her puppet show using seven life-size wooden puppets carved from one basswood tree, a complicated rig of white metal pipes, pulleys, and hooks from which the puppets were sometimes suspended. and thirteen actors and puppeteers. The result, especially for those in the audience who remember Sister Aimee, was fascinating ritual theater. The inevitable pauses from such technical requirements, such as hooking and unhooking the puppets was effectively choreographed and strengthened the ritual sense of it all. A puppet could change or exchange character by the simple change of a wig and there were two human actresses portraying Aimee as well - a great poetic device since the show raises the questions, "who was the real Aimee, what really happened after that fateful swim and what attracted so many followers?" Many of the pat answers could be superficial - and here the puppet costumes, designed like paper doll clothes, underline the superficial element.

At the same time, it was difficult to ignore Aimee's two decades in Los Angeles (1922-1944). She touched the lives of the masses. Young Anthony Quinn was one of them then, playing in the church band. During the Great Depression, thousands were fed and clothed by the church. Questions and seeming contradictions abound. The meaning of it all remains clouded and the puppet production captures that with great skill. Hopefully, Spit Shine and Glisten will receive a repeat performance series sometime soon.

Noteworthy - Harry Burnett, puppet maker and puppeteer of the Yale Puppeteers made a portrait marionette of Sister Aimee which she saw in 1930. At her invitation, Harry brought the marionette to Angelus Temple to show to the faithful. Not sure what to do, Harry started to make the puppet dance. Aimee immediately cried, "no! no! Sister doesn't dance!" The puppet was long a featured performer for the Yale Puppeteers.

We don't know if the puppet still exists - it may have been among a group of miniature movie stars stored for a time at Thousand Oaks Jungle Land complex. Local kids broke into the storage space and a caché of photos, negatives and puppets disappeared. Some later found their way to antique stores. The Greta Garbo was seen in a San Francisco shop.

NOTE: for audiences who did not live during Aimee's heyday (1922-1944), they probably would benefit from a two or three page historic printout. Reading a book, such as "The Vanishing Evangelist" could be helpful preparation for savouring Spit Shine Glisten. For those of us from that era - the show is remarkably effective.

---Alan Cook


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